Latin America has a rich tradition of millenary silverwork, which dates back to pre-Columbian times. This craft involves the creation of intricate and ornate objects, such as jewelry, utensils, and religious artifacts, using various techniques and styles that reflect the diverse cultures and histories of the region. From the Andean highlands to the Mexican plateaus, silverwork has been a vital aspect of indigenous and colonial art and continues to inspire contemporary artists and designers.
This art has been passed down from generation to generation due to solid cultural experiences rooted in different peoples' mythical and religious relationships. Even during the colonial period, in the case of Peru, the ancient artisans faced no opposition from the Spanish colonizers, who were captivated by their art and consumed it with care. The parts they produced were not found in Europe.
Today, the goldsmithing culture is still thriving in Latin America. The Moches, known for producing extraordinary gold, silver, and copper ornaments adorned with precious and semi-precious stones, Amazonian bird feathers, and corals, have resurged through the work of excellent artisans who have combined traditional techniques with modern technologies to create jewelry and goldsmithing that are comparable to those produced in other parts of the world.
Argentina, Chile, Colombia, Ecuador, Mexico, Brazil, the Dominican Republic, and Venezuela are the Latin American countries with the most significant presence in the jewelry market. The current state of contemporary Latin American jewelry and goldsmithing has excellent potential for expansion. The market remains receptive to this new proposal that has emerged strongly in Latin America, as it ensures that the indigenous legacy is not lost.